November 27, 2020

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American Cinema/American Culture

American Cinema/American Culture
Author : John Belton
Publisher : McGraw-Hill Higher Education
Release Date : 2012-01-11
Category : Performing Arts
Total pages :129
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American Cinema/American Culture

American Cinema/American Culture
Author : John Belton
Publisher : Unknown
Release Date : 2012-04-01
Category : Performing Arts
Total pages :448
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American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests.

American Cinema/American Culture

American Cinema/American Culture
Author : John Belton
Publisher : McGraw-Hill Education
Release Date : 2012-01-11
Category : Performing Arts
Total pages :480
GET BOOK

American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests. Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following: • SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content. • Access to your instructor’s homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course. • Progress dashboards that quickly show how you are performing on your assignments and tips for improvement. • The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping. Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

American Cinema/American Culture

American Cinema/American Culture
Author : John Belton
Publisher : McGraw-Hill Humanities, Social Sciences & World Languages
Release Date : 2005
Category : Performing Arts
Total pages :452
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Ideal for introducing American cinema courses, this text offers a cultural examination of the US motion picture industry, with attention focused on the economic & aesthetic institution of Hollywood.

ISE American Cinema/American Culture

ISE American Cinema/American Culture
Author : John Belton
Publisher : Unknown
Release Date : 2021-01-26
Category :
Total pages :480
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Study Guide To Accompany American Cinema / American Culture

Study Guide To Accompany American Cinema / American Culture
Author : John Belton
Publisher : McGraw-Hill Education
Release Date : 2012-02-09
Category : Performing Arts
Total pages :192
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Written by Ed Sikov, this useful study guide has also been updated, including a new chapter on Horror and Science Fiction. The guide introduces each topic in American Cinema/American Culture with an explanatory overview written in more informal language than the textbook; suggests screenings and readings; and contains self-tests so students can check their level of learning before taking exams.

American Cinema of the 1910s

American Cinema of the 1910s
Author : Charlie Keil,Ben Singer
Publisher : Rutgers University Press
Release Date : 2009
Category : Performing Arts
Total pages :278
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It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important, and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies. Charlie Keil is an associate professor in the Department of History and the director of the Cinema Studies Institute at the University of Toronto. He is the author of Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913. Ben Singer is an associate professor of film in the Department of Communication Arts at the University of Wisconsin, Madison. He is the author of Melodrama and Modernity: Early Sensational Cinema and Its Contexts.

The City in American Cinema

The City in American Cinema
Author : Johan Andersson,Lawrence Webb
Publisher : Bloomsbury Publishing
Release Date : 2019-06-27
Category : Performing Arts
Total pages :400
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How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).

American Cinema of the 1920s

American Cinema of the 1920s
Author : Lucy Fischer
Publisher : Rutgers University Press
Release Date : 2009
Category : Performing Arts
Total pages :291
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In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era that witnessed the birth of the star system that supported the meteoric rise and celebrity status of actors, including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino, while black performers (relegated to "race films") appeared infrequently in mainstream movies.

Looseleaf for American Cinema/American Culture

Looseleaf for American Cinema/American Culture
Author : John Belton
Publisher : McGraw-Hill Education
Release Date : 2015-07-27
Category : Performing Arts
Total pages :480
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American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests. Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following: • SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content. • Access to your instructor’s homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course. • Progress dashboards that quickly show how you are performing on your assignments and tips for improvement. • The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping. Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

American Cinema of the 1930s

American Cinema of the 1930s
Author : Ina Rae Hark
Publisher : Rutgers University Press
Release Date : 2007
Category : History
Total pages :279
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Abstract:. - http://www3.openu.ac.il/ouweb/owal/new_books1.book_desc?in_mis_cat=115074.

American Cinema and Cultural Diplomacy

American Cinema and Cultural Diplomacy
Author : Thomas J. Cobb
Publisher : Springer Nature
Release Date : 2020-07-25
Category : Performing Arts
Total pages :264
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This book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker’s allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead’s concept of a US polity dominated by contesting beliefs, or a ‘kaleidoscope’, permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy.

American Cinema of the 1950s

American Cinema of the 1950s
Author : Murray Pomerance
Publisher : Rutgers University Press
Release Date : 2005
Category : Performing Arts
Total pages :287
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Bringing together original essays by ten respected scholars in the field, American Cinema of the 1950s explores the impact of the cultural environment of this decade on film, and the impact of film on the American cultural milieu. Contributors examine the signature films of the decade, including From Here to Eternity, Sunset Blvd., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause, as well as lesser-known but equally compelling films, such as Dial 1119, Mystery Street, Suddenly, Summer Stock, The Last Hunt, and many others.

American Cinema, 1890-1909

American Cinema, 1890-1909
Author : André Gaudreault
Publisher : Rutgers University Press
Release Date : 2009
Category : Performing Arts
Total pages :268
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The essays in American Cinema 1890-1909 explore and define how the making of motion pictures flowered into an industry that would finally become the central entertainment institution of the world. Beginning with all the early types of pictures that moved, this volume tells the story of the invention and consolidation of the various processes that gave rise to what we now call "cinema."

American Cinema of the 1940s

American Cinema of the 1940s
Author : Wheeler W. Dixon
Publisher : Rutgers University Press
Release Date : 2006
Category : History
Total pages :283
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The 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics. Featuring essays by a group of respected film scholars and historians, "American Cinema of the 1940s" brings this dynamic and turbulent decade to life with such films as "Citizen Kane," "Rebecca," "The Lady Eve," "Sergeant York," "How Green Was My Valley," "Casablanca," "Mrs. Miniver," "The Road to Morocco," "Yankee Doodle Dandy, ""Kiss of Death," "Force of Evil," "Caught," and" Apology for Murder." Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century.