January 28, 2021

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Caravaggio

Caravaggio
Author : DavidM. Stone
Publisher : Routledge
Release Date : 2017-07-05
Category : Art
Total pages :392
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As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio?s art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio?s paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio?s legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation.

Caravaggio

Caravaggio
Author : Michelangelo Merisi da Caravaggio
Publisher : University of Delaware Press
Release Date : 2006
Category : Art
Total pages :145
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This volume considers Caravaggio's revolutionary "realism" from a range of perspectives by a plurality of leading scholars. First, it advances our understanding of Caravaggio's relationship with the "new" science of observation championed by Galileo. Second, it examines afresh the theoretical nature of Caravaggio's seemingly direct "realism." Third, it extends the horizons of research on Caravaggio's complex intellectual and social milieu between high and low cultures. Fourth, it redefines our understanding of the relationship between Caravaggio's life and his art in historical terms.

The Age of Caravaggio

The Age of Caravaggio
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Release Date : 1985
Category : Art
Total pages :367
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Combines a history of Caravaggio criticism through four centuries, with reproductions of many of the great works by the Italian painter of the late sixteenth century and outstanding examples from the oeuvre of the painters he influenced

Caravaggio

Caravaggio
Author : John Varriano
Publisher : Penn State Press
Release Date : 2010-11-01
Category : Art
Total pages :129
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The dramatic realism of Caravaggio's art has fascinated viewers since the seventeenth century. Yet no prior monograph presents the thorough investigation of Caravaggio's "realism" ventured in John Varriano's remarkable book. Forgoing the "life and works" format of most earlier monographs, Varriano concentrates on uncovering the principles and practices -- the intellect and the imagination -- that guided Caravaggio's eye and brush as he made some of the most controversial paintings in the history of art. The book contains numerous color illustrations that will help readers experience Caravaggio's art and follow the author's informative discussion of such famed paintings as "Victorious Love" and "David with the Head of Goliath". -- From publisher's description.

Caravaggio and His Two Cardinals

Caravaggio and His Two Cardinals
Author : Anonim
Publisher : Penn State Press
Release Date : 2021
Category : Art
Total pages :129
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This context enriches our understanding of the paintings - the "Pastor Friso," often dubiously said to represent John the Baptist, the Supper at Emmaus in the London National Gallery, and the newly rediscovered Kiss of Judas in Dublin - then implicates wider contexts, including a comparative study of the artist's most famous works, the Matthew cycle in the Contarelli chapel, and his other patrons, specifically Cardinal Del Monte.

Caravaggio

Caravaggio
Author : Richard Vetere
Publisher : Dramatic Publishing
Release Date : 2007
Category : Painters
Total pages :88
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"Cast: 6m., 1w., extras if desired. Caravaggio is set in Rome in 1600 when the city was vibrant with artists, powerful religious leaders, the Inquisition and street violence. A famous painter in his lifetime, Caravaggio kills a man in a brawl and finds a bounty on his head put there not only by the dead man's family but by the Vatican itself. Cardinal Del Monte, his protector, secures a commission for Caravaggio on the isolated island of Malta while he works behind the scenes to convince the pope to pardon the painter. Caravaggio paints the portrait of the Grand Master of the Knights, learning that the powerful man has one thing on his mind and that is to save Caravaggio's wretched soul. Tortured, Caravaggio escapes, racing to Naples where he finds refuge with his arch artistic nemesis, the famous Annibale Carracci. What Caravaggio doesn't know is that his competitor, Carracci, suffers from an inability to create. Visited by his lover, Francesco, and his model and lover, Lena, and with his life hanging in the balance, Caravaggio finds in his exile inspiration that makes him create a dynamic change in art. Through his suffering and his search for God, he creates the style of art we now call Baroque. Unit set. Approximate running time: 2 hours."--Publisher's website.

Caravaggio

Caravaggio
Author : Andrew Graham Dixon
Publisher : Penguin UK
Release Date : 2011-07-06
Category : Biography & Autobiography
Total pages :544
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Michelangelo Merisi da Caravaggio lived the darkest and most dangerous life of any of the great painters. The worlds of Milan, Rome and Naples through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and whores, prayer and violence. On the streets surrounding the churches and palaces, brawls and swordfights were regular occurrences. In the course of this desperate life Caravaggio created the most dramatic paintings of his age, using ordinary men and women - often prostitutes and the very poor - to model for his depictions of classic religious scenes. Andrew Graham-Dixon's exceptionally illuminating readings of Caravaggio'spictures, which are the heart of the book, show very clearly how he created their drama, immediacy and humanity, and how completely he departed from the conventions of his time.

Caravaggio

Caravaggio
Author : Helen Langdon
Publisher : Random House
Release Date : 2012-04-24
Category : Art
Total pages :448
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Of all Italian painters, Caravaggio (c. 1565-1609) speaks most intensely to the modern world. His early works suggest a fascination with his own youth and sexuality and the trancience of love and beauty his later religious art speaks of violence, passion, solitude and death. Ugly, almost brutal-looking, Caravaggio was constantly embroiled in fights and entangled with the law; the prototype anti-social artist, he moved between the worlds of powerful patrons and the street life of boys and prostitutes. Helen Langdon uncovers his progress from childhood in plague-ridden Milan to wild success in Rome, and eventual exile and persecution in the South, and sets his work against the political, intellectual and spiritual movements of the day. Fully illustrated, her dramatic portrait shows Carravigio's life to be as sensational and enigmatic as his powerful and enduring art.

Caravaggio

Caravaggio
Author : Timothy Wilson-Smith,Michelangelo Merisi da Caravaggio
Publisher : Phaidon Incorporated Limited
Release Date : 1998-08-10
Category : Art
Total pages :126
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Michelangelo Meresi da Caravaggio (1571-1610) was a boldly original artist who led a short and violent life. His sexually provocative nude figures and his dramatic religious paintings have a psychological power and an undiminished capacity to shock and disturb after almost four centuries. Timothy Wilson-Smith provides a lively and readable biography of an artist who has become an iconic figure in the late twentieth century, and presents a memorable selection of his works, from his early genre pictures to the dark and intense religious paintings of his years in exile.

Michelangelo da Caravaggio

Michelangelo da Caravaggio
Author : Félix Witting,M.L. Patrizi
Publisher : Parkstone International
Release Date : 2012-01-17
Category : Art
Total pages :200
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After staying in Milan for his apprenticeship, Michelangelo da Caravaggio arrived in Rome in 1592. There he started to paint with both realism and psychological analysis of the sitters. Caravaggio was as temperamental in his painting as in his wild life. As he also responded to prestigious Church commissions, his dramatic style and his realism were seen as unacceptable. Chiaroscuro had existed well before he came on the scene, but it was Caravaggio who made the technique definitive, darkening the shadows and transfixing the subject in a blinding shaft of light. His influence was immense, firstly through those who were more or less directly his disciples. Famous during his lifetime, Caravaggio had a great influence upon Baroque art. The Genoese and Neapolitan Schools derived lessons from him, and the great movement of Spanish painting in the seventeenth century was connected with these schools. In the following generations the best endowed painters oscillated between the lessons of Caravaggio and the Carracci.

Quoting Caravaggio

Quoting Caravaggio
Author : Mieke Bal
Publisher : University of Chicago Press
Release Date : 2001-03
Category : Art
Total pages :305
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The author's primary object of investigation in this text is not the Caravaggio, but rather the issue of temporality in art. She analyzes the productives relationship between Caravaggio and a number of late-20th century artists who "quote" the baroque master in their own works.

Caravaggio

Caravaggio
Author : Felix Witting,M.L. Patrizi
Publisher : Parkstone International
Release Date : 2012-03-22
Category : Art
Total pages :256
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After staying in Milan for his apprenticeship, Michelangelo da Caravaggio arrived in Rome in 1592. There he started to paint with both realism and psychological analysis of the sitters. Caravaggio was as temperamental in his painting as in his wild life. As he also responded to prestigious Church commissions, his dramatic style and his realism were seen as unacceptable. Chiaroscuro had existed well before he came on the scene, but it was Caravaggio who made the technique definitive, darkening the shadows and transfixing the subject in a blinding shaft of light. His influence was immense, firstly through those who were more or less directly his disciples. Famous during his lifetime, Caravaggio had a great influence upon Baroque art. The Genoese and Neapolitan Schools derived lessons from him, and the great movement of Spanish painting in the seventeenth century was connected with these schools. In the following generations the best endowed painters oscillated between the lessons of Caravaggio and the Carracci.

A Caravaggio Rediscovered, the Lute Player

A Caravaggio Rediscovered, the Lute Player
Author : Keith Christiansen
Publisher : Metropolitan Museum of Art
Release Date : 1990
Category :
Total pages :96
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Published by the Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028. The catalog (with a lengthy essay and scholarly paraphernalia) for an exhibition of a newly identified work by Caravaggio and other paintings by the artist or related to the musical theme. Annotation copyrighted by Book News, Inc., Portland, OR

Caravaggio in Context

Caravaggio in Context
Author : John F. Moffitt
Publisher : McFarland
Release Date : 2015-02-18
Category : Art
Total pages :268
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Michelangelo Merisi da Caravaggio (1571–1610) has long been recognized as one of the great innovators in the history of art. Through detailed analysis of paintings from his early Roman period, 1594–1602, this study now situates his art firmly within both its humanistic and its scientific context. Here, both his revolutionary painterly techniques—pronounced naturalism and dramatic chiaroscuro—and his novel subject matter—still-life compositions and genre scenes—are finally put into their proper cultural and contemporary environment. This environment included the contemporary rise of empirical scientific observation, a procedure—like Caravaggio’s naturalism—committed to a close study of the phenomenal world. It also included the interests of his erudite, aristocratic patrons, influential Romans whose tastes reflected the Renaissance commitment to humanistic studies, emblematic literature and classical lore. The historical evidence entered into the record here includes both contemporary writings addressing the instructive purposes of art and the ancient literary sources commonly manipulated in Caravaggio’s time that sanctioned a socially realistic art. The overall result of this investigation is characterize the work of the painter as an expression of “learned naturalism.”

Quoting Caravaggio

Quoting Caravaggio
Author : Maria Gertrudis Bal,Mieke Bal
Publisher : University of Chicago Press
Release Date : 1999-08
Category : Art
Total pages :305
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A rigorous, rewarding work, "Quoting Caravaggio" is at once a meditation on history as a creative, nonlinear process; a study of the work of Caravaggio and the Baroque; and a brilliant critical exposition of contemporary artistic expression. 62 color plates. 25 halftones.