September 24, 2020
Download Ebook Free Orson Welles S Citizen Kane

Orson Welles's Citizen Kane

Author : James Naremore
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Total pages :329

Citizen Kane is arguably the most admired and significant film since the advent of talking pictures. No other film is quite so interesting from both artistic and political points of view. To study it even briefly is to learn a great deal about American history, motion-picture style, and the literary aspects of motion-picture scripts. Rather than presenting a sterile display of critical methodologies, James Naremore has gathered a set of essays that represent the essential writings on the film. It gives the reader a lively set of critical interpretations, together with the necessary production information, historical background, and technical understanding to comprehend the film's larger cultural significance. Selections range from the anecdotal --Peter Bogdanovich's interview with Orson Welles--to the critical, with discussions on the scripts and sound track, and a discussion of what accounts for the film's enduring popularity. Contributors include James Naremore, Peter Bogdanovich, Jonathan Rosenbaum, Robert L. Carringer, François Thomas, Michael Denning, Laura Mulvey, Peter Wollen, and Paul Arthur.

The Making of Citizen Kane, Revised Edition

Author : Orson Welles,Robert L. Carringer
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Total pages :182

Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs.

Citizen Kane is Not about Louella Parsons' Boss

Author : Orson Welles
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Total pages :2

The Citizen Kane Book

Author : Pauline Kael,Herman Jacob Mankiewicz,Orson Welles
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Total pages :440

Walking Shadows

Author : John Evangelist Walsh
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Total pages :301

Walking Shadows dramatically dissects the wild, high-profile battle between newspaper tycoon William Randolph Hearst and famous young actor, director, and filmmaker Orson Welles over Welles’s groundbreaking film Citizen Kane. In 1940 and 1941 it became the center of public controversy and scandal, especially in Hollywood where Welles’s own stark honesty and blatant self-confidence heightened the drama. Citizen Kane portrayed the ruthless career of an all-powerful magnate bearing (not accidentally) a striking resemblance to Hearst, who immediately tried to kill the picture. John Evangelist Walsh here illuminates the conflict between these two outsize personalities and for the first time brings Hearst’s vengeful anti-Kane campaign to the fore. Walsh provides thorough documentation, supplemental notes, and an extended bibliography.

Orson Welles

Author : Source Wikipedia
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Total pages :88

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 86. Chapters: Ceiling Unlimited, Charles Foster Kane, Follow the Boys, Frozen Peas, Hello Americans, Journey into Fear (1943 film), King Lear (1953 TV drama), Les Miserables (radio), Mercury Theatre, Orson's Shadow, Orson Welles' Great Mysteries, Orson Welles (crater), Orson Welles Cinema, Orson Welles discography, Orson Welles radiography, Orson Welles Show (radio), Paola Mori, Swiss Family Robinson (1940 film), The Adventures of Harry Lime, The Campbell Playhouse, The Fall of the City, The Hitch-Hiker (radio play), The Mercury Theatre on the Air, The Shadow, The Third Man, The War of the Worlds (radio drama), This Is My Best, Treasure Island (1972 film), We Hold These Truths, We Work Again. Excerpt: George Orson Welles (May 6, 1915 - October 10, 1985) was an American actor, director, writer and producer who worked extensively in theater, radio and film. He is best remembered for his innovative work in all three media, most notably Caesar (1937), a groundbreaking Broadway adaption of Julius Caesar and the debut of the Mercury Theatre; The War of the Worlds (1938), one of the most famous broadcasts in the history of radio; and Citizen Kane (1941), which is consistently ranked as one of the all-time greatest films. After directing a number of high-profile theatrical productions in his early twenties, including an innovative adaptation of Macbeth and The Cradle Will Rock, Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for the radio drama anthology series Mercury Theatre on the Air. It was reported to have caused widespread panic when listeners thought that an invasion by extraterrestrial beings was occurring. Although these reports of panic were mostly false and overstated, they rocketed Welles to instant notoriety. His...

Rosebud

Author : David Thomson
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Total pages :463

A stunning portrait of the life and career of Orson Welles describes his early success in the worlds of radio, theater, and film; the boredom and self-destructive impulses that led to his rapid decline; and his colorful personal life. Reprint. 17,500 first printing.

Despite the System

Author : Clinton Heylin
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Total pages :329

Revealing the facts rather than the myths behind Orson Welles's Hollywood career, this groundbreaking history fills in the gaps behind the drama of one of the most well-known American filmmakers.

Citizen Kane

Author : Orson Welles,Joseph Cotten,Ken Barnes
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Total pages :329

The story of Charles Foster Kane is a portrait of America's love of power and materialism and the corruption it sometimes fosters.

The Citizen Kane Crash Course on Cinematography

Author : David Worth
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Total pages :121

This entertaining graphic textbooks follows the torrid what could have happened story of two legendary filmmakers--Orson Welles and Gregg Toland--as they drink and party their way to creative heights in cinematography.

Orson Welles's Last Movie

Author : Josh Karp
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Total pages :352

Journalist Josh Karp shines a spotlight on the making of The Other Side of the Wind—the final unfinished film from the auteur of Citizen Kane in Orson Welles’s Last Movie, the basis of Oscar-winning director Morgan Neville’s Netflix Original Documentary, They’ll Love Me When I’m Dead. In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally, it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn’t autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took six years during his lifetime—only to be finally completed more than thirty years after his death by The Last Picture Show director Peter Bogdanovich, who narrates the film, and released by Netflix. Orson Welles’s Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious, and remarkable making of what has been called “the greatest home movie that no one has ever seen.” Funded by the shah of Iran’s brother-in-law, and based on a script that Welles rewrote every night for years, the film was a final attempt to one-up his own best work. It’s a production best encompassed by its star—the celebrated director of The Maltese Falcon, John Huston—who described the making of the film as “an adventure shared by desperate men that finally came to nothing.”

Discovering Orson Welles

Author : Jonathan Rosenbaum
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Total pages :336

'Discovering Orson Welles' collects Rosenbaum's writings to date on Welles and makes an irrefutable case for the seriousness of his work, illuminating both Welles the artist and Welles the man. The book is also a chronicle of Rosenbaum's highly personal writer's journey and his efforts to arrive at the truth.

Citizen Kane

Author : Laura Mulvey
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Total pages :104

Citizen Kane's reputation as one of the greatest films of all time is matched only by the accumulation of critical commentary that surrounds it. What more can there be to say about a masterpiece so universally acknowledged? Laura Mulvey, in a fresh and original reading, illuminates the richness of the film, both thematically and stylistically, relating it to Welles's political background and its historical context. In a lucid and perceptive critique she also investigates the psychoanalytic structure that underlies the film's presentation of Kane's biography, for once taking seriously what Orson Welles himself disparagingly referred to as 'dollar-book Freud.' In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Laura Mulvey focuses on the film's politics, highlighting the contemporary 'rhymes' in Kane's portrayal of a scandal-prone press baron in a time of economic crisis.

It's All True

Author : Orson Welles
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Total pages :228

This book brings together an exceptional array of interviews, profiles, and press conferences tracing the half century that Orson Welles (1915- 1985) was in the public eye. Originally published or broadcast between 1938 and 1989 in worldwide locations, these pieces confirm that Welles's career was multidimensional and thoroughly inter-woven with Welles's persona. Several of them offer vivid testimony to his grasp on the public imagination in Welles's heyday, including accounts of his War of the Worlds broadcast. Some interviews appear in English for the first time. Two transcriptions of British television interviews have never before appeared in print. Interviewers include Kenneth Tynan, French critic André Bazin, and Gore Vidal. The subjects center on the performing arts but also embrace philosophy, religion, history, and, especially, American society and politics. Welles confronts painful topics: the attempts to suppress Citizen Kane, RKO's mutilation of The Magnificent Ambersons, his loss of directorial authority, his regret at never having run for political office, and his financial struggles. "I would have sold my soul" to play Marlon Brando's role as Don Corleone in The Godfather, he tells a BBC interviewer. Welles deflates the notion of the film director's omnipotence, insisting that it is only in the editing studio that he possesses "absolute control." With scholarly erudition, Welles revels in the plays of Shakespeare and discusses their adaptation to stage and screen. He assesses rival directors and eminent actors, offers penetrating analyses of Citizen Kane, Touch of Evil, Chimes at Midnight, and The Third Man, and declares that he never made a film that lacked an ethical point-of-view. These conversations reveal the majestic mind and talent of Welles from a fresh perspective. Mark W. Estrin, a professor of English and film studies at Rhode Island College, is editor of Conversations with Eugene O'Neill (University Press of Mississippi) and Critical Essays on Lillian Hellman and the author of numerous articles on film and dramatic literature.

Orson Welles in Focus

Author : James N. Gilmore,Sidney Gottlieb
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Total pages :329

Through his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles’s multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles’s work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles’s work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totality illuminates and expands our perception of his contributions that continue to resonate today.

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