May 9, 2021

Download Ebook Free The Film Experience

THE FILM EXP

THE FILM EXP
Author : CORRIGAN T WHITE P
Publisher : Unknown
Release Date : 2015-04-01
Category :
Total pages :129
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The Address of the Eye

The Address of the Eye
Author : Vivian Sobchack
Publisher : Princeton University Press
Release Date : 2020-05-05
Category : Performing Arts
Total pages :358
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Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.

Phenomenology of Film

Phenomenology of Film
Author : Shawn Loht
Publisher : Lexington Books
Release Date : 2017-08-25
Category : Philosophy
Total pages :220
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Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger’s own various critiques of popular media and culture throughout his career. Shawn Loht also explores topics such as the ontology of film and moving images; the phenomenological character of the viewer experience; film conceived as an art medium; and the function of films as vehicles for philosophical thought. He further discusses important concepts from Heidegger’s philosophy--Dasein, existentiality, world, art and poetry, and the nature of philosophy. The first four chapters take up these issues from a theoretical perspective. The remaining chapters provide robust application of the theoretical material to the films of three contemporary filmmakers: Terrence Malick, Michael Haneke, and David Gordon Green. As the first single-author monograph that takes up Heidegger’s relevance to film, Phenomenology of Film will be of particular interest to philosophers of film and specialists of film and media studies working in the intersection of phenomenology and film or phenomenological approaches to issues in popular culture.

Voices of Film Experience

Voices of Film Experience
Author : Jay Leyda
Publisher : Macmillan Publishing Company
Release Date : 1977
Category : Performing Arts
Total pages :544
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In quotations ranging from offhand remarks to formal interviews and articles, past and present filmmakers review their work, the problems encountered and solved, and the complexities of cinematic art

The Structures of the Film Experience by Jean-Pierre Meunier

The Structures of the Film Experience by Jean-Pierre Meunier
Author : Julian Hanich,Daniel Fairfax
Publisher : Amsterdam University Press
Release Date : 2019-09-06
Category : Biography & Autobiography
Total pages :129
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For the first time this volume makes Jean-Pierre Meunier's influential thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier's intricate phenomenological descriptions of the spectator's engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.

Loose-leaf Version for The Film Experience

Loose-leaf Version for The Film Experience
Author : Timothy Corrigan,Patricia White
Publisher : Bedford/St. Martin's
Release Date : 2014-11-28
Category : Performing Arts
Total pages :544
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In our culture, watching movies is a universal experience – but understanding film may not be. The Film Experience reaches out to students, connecting their experiences watching movies with better understanding and knowledge of the medium's full scope. And with its game-changing new video program in LaunchPad Solo (see below), this thoroughly updated new edition makes it easier than ever to link each student’s personal viewing to a greater overall understanding of film. Timothy Corrigan and Patricia White’s classroom favorite is both authoritative and joyful about watching, analyzing, and understanding film. With clips from classic and contemporary films (Rear Window, Life of Pi, Moonrise Kingdom, Chinatown, and many others) plus hundreds of movie images and other graphics, the thoroughly revised new edition covers everything from editing to cinematography to narrative genres, all in a cultural context that reinforces why films and film study matter. The book's features—Form in Action, Film in Focus, and Concepts at Work —combine text, stills, and links to videos online to explore specific films, scenes, and trends in depth.

The Independent Film Experience

The Independent Film Experience
Author : Kevin J. Lindenmuth
Publisher : McFarland
Release Date : 2002-01-31
Category : Performing Arts
Total pages :240
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You see them on the video shelves, with titles such as Shadow Tracker, Psycho Girls, and The Blair Witch Project. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course, discovered the world of independent filmmaking. A fascinating group of independent film directors and producers, in interviews with the author, discuss their work and the state of the independent film industry at the end of the 20th century. Joe Bagnardi, Dennis Devine, Andrew Harrison, Jeff Leroy, Andrew Parkinson, Brett Piper, and 23 others cover such topics as the increased interest in independent films and how they are changing thanks to high-tech advances. These filmmakers vary widely in age, experience, formats and budgets--and choice of subject matter--but they all have a great passion for their work.

The Cult Film Experience

The Cult Film Experience
Author : J. P. Telotte
Publisher : University of Texas Press
Release Date : 2014-02-19
Category : Performing Arts
Total pages :236
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"Play it again, Sam" is the motto of cult film enthusiasts, who will watch their favorite movie over and over, "beyond all reason." What is the appeal of cult movies? Why do fans turn up in droves at midnight movies or sit through the same three-hanky classics from Hollywood's golden era? These are some of the questions J. P. Telotte and twelve other noted film scholars consider in this groundbreaking study of the cult film. The book identifies two basic types of cult films—older Hollywood movies, such as Casablanca, that have developed a cult following and "midnight movies," most notably The Rocky Horror Picture Show. Telotte, Bruce Kawin, and Timothy Corrigan offer thought-provoking discussions about why these two types of movies become cult films, the sort of audience they attract, and the needs they fulfill for that audience. Subsequent essays employ a variety of cultural, feminist, ideological, and poststructural strategies for exploring these films. In a section on the classical cult film, the movie Casablanca receives extensive treatment. An essay by T. J. Ross considers Beat the Devil as a send-up of cult films, while another essay by Wade Jennings analyzes the cult star phenomenon as personified in Judy Garland. "Midnight movie madness" is explored in essays on The Rocky Horror Picture Show, movie satires of the 1950s, science fiction double features, and horror thrillers. Illustrated with scenes from favorite movies and written for both fans and scholars, The Cult Film Experience will appeal to a wider audience than the "usual suspects."

The Multisensory Film Experience

The Multisensory Film Experience
Author : Luis Rocha Antunes
Publisher : Intellect Books
Release Date : 2016-05-01
Category : Art
Total pages :218
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When the lights dim in a movie theatre and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience analyses temperature, pain and balance in order to argue that it is the experience of film that’s inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.

The Film Experience in Digital Cinema

The Film Experience in Digital Cinema
Author : Orit Fussfeld Cohen
Publisher : Unknown
Release Date : 2019
Category :
Total pages :300
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Eye of the Century

Eye of the Century
Author : Francesco Casetti
Publisher : Columbia University Press
Release Date : 2008-05-14
Category : Performing Arts
Total pages :288
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Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's most important events, but also because it determined the manner in which they were received. Casetti begins by examining film's nature as a medium in an age obsessed with immediacy, nearness, and accessibility. He considers the myths and rituals cinema constructed on the screen and in the theater and how they provided new images and behaviors that responded to emerging concerns, ideas, and social orders. Film also succeeded in negotiating the different needs of modernity, comparing and uniting conflicting stimuli, providing answers in a world torn apart by conflict, and satisfying a desire for everydayness, as well as lightness, in people's lives. The ability to communicate, the power to inform, and the capacity to negotiate-these are the three factors that defined film's function and outlook and made the medium a relevant and vital art form of its time. So what kind of gaze did film create? Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them. The result was an ever inventive synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle. In this sense, film is the key to reading and understanding the modern experience.

How to Read a Film

How to Read a Film
Author : James Monaco
Publisher : New York : Oxford University Press
Release Date : 1977
Category : Cinematography
Total pages :502
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Loose-Leaf Version for the Film Experience 4e & Launchpad Solo for the Film Experience 4e (Six Month Access)

Loose-Leaf Version for the Film Experience 4e & Launchpad Solo for the Film Experience 4e (Six Month Access)
Author : Timothy Corrigan,Patricia White
Publisher : Unknown
Release Date : 2015-04-22
Category : Language Arts & Disciplines
Total pages :129
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Film Experience: Chapter 6: Telling Stories About Time: Narrative Films

Film Experience: Chapter 6: Telling Stories About Time: Narrative Films
Author : Timothy and White Carrigan (Patricia)
Publisher : Unknown
Release Date : 2021
Category :
Total pages :129
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The Poetics of Radical Hope in Abderrhamane Sissako's Film Experience

The Poetics of Radical Hope in Abderrhamane Sissako's Film Experience
Author : Olivier-Jean Tchouaffe
Publisher : Unknown
Release Date : 2017
Category : Art
Total pages :162
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This book explores Sissako's original cinematic vision, which tackles complex in-depth African realities with the power of imaginative excellence. Sissako's work defies existing normative global geopolitics and conditions of knowledge and aesthetic production in Africa through radical hope and creative adaptation.