November 28, 2020

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Psychology of Music

Psychology of Music
Author : Diana Deutsch
Publisher : Elsevier
Release Date : 2013-10-22
Category : Music
Total pages :542
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The Psychology of Music draws together the diverse and scattered literature on the psychology of music. It explores the way music is processed by the listener and the performer and considers several issues that are of importance both to perceptual psychology and to contemporary music, such as the way the sound of an instrument is identified regardless of its pitch or loudness, or the types of information that can be discarded in the synthetic replication of a sound without distorting perceived timbre. Comprised of 18 chapters, this book begins with a review of the classical psychoacoustical literature on tone perception, focusing on characteristics of particular relevance to music. The attributes of pitch, loudness, and timbre are examined, and a summary of research methods in psychoacoustics is presented. Subsequent chapters deal with timbre perception; the subjective effects of different sound fields; temporal aspects of music; abstract structures formed by pitch relationships in music; different tests of musical ability; and the importance of abstract structural representation in understanding how music is performed. The final chapter evaluates the relationship between new music and psychology. This monograph should be a valuable resource for psychologists and musicians.

Psychology of Music

Psychology of Music
Author : Elizabeth Hellmuth Margulis
Publisher : Oxford University Press, USA
Release Date : 2018-11
Category : Music
Total pages :160
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Music has been examined from multiple perspectives: as a product of human history, for example, or a product of human culture. But there is also a long tradition, intensified in recent decades, of thinking about music as a product of the human mind. Whether considering composition, performance, listening, or appreciation, the constraints and capabilities of the human mind play a formative role. The field that has emerged around this approach is known as the psychology of music. Written in a lively and accessible manner, this volume connects the science to larger questions about music that are of interest to practicing musicians, music therapists, musicologists, and the general public alike. For example: Why can one musical performance move an audience to tears, and another compel them to dance, clap, or snap along? How does a "hype" playlist motivate someone at the gym? And why is that top-40 song stuck in everyone's head? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The Psychology of Music in Multimedia

The Psychology of Music in Multimedia
Author : Siu-Lan Tan,Annabel J. Cohen,Scott D. Lipscomb,Roger A. Kendall
Publisher : Oxford University Press
Release Date : 2013-06-27
Category : Computers
Total pages :432
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The Psychology of Music in Multimedia is the first book dedicated to the scientific research on how we integrate sound and image when engaging with film, television, video, interactive games, and computer interfaces. The focus on empirical research and strong psychological framework make a unique and distinct contribution to the field. The international roster of contributors present rich and diverse perspectives from a wide range of disciplines includingpsychology, musicology, neuroscience, media studies, film, and communication. Collectively, the rich chapters in this edited volume present a comprehensive treatment of research on the multimedia experience,with the aim of disseminating this knowledge base and inspiring future scholarship.

Psychology of Music

Psychology of Music
Author : Carl E. Seashore
Publisher : Courier Corporation
Release Date : 2012-09-06
Category : Psychology
Total pages :448
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Standard study by founder of Seashore test. Relationship between physical phenomena of sounds and our perception of them. Music as a medium, physical acoustics, auditory apparatus, sound perception, more. Includes 88 figures.

Introduction to the Psychology of Music

Introduction to the Psychology of Music
Author : Géza Révész
Publisher : Courier Corporation
Release Date : 2001-01-01
Category : Music
Total pages :265
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Comprehensive introduction by noted musicologist covers physical and physiological bases of sound and hearing, elements of tone, pitch, musical ability, origins of music, psychology of music, much more.

The Developmental Psychology of Music

The Developmental Psychology of Music
Author : David J. Hargreaves,Professor of Education David J Hargreaves
Publisher : Cambridge University Press
Release Date : 1986-12-18
Category : Music
Total pages :260
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This book sets out the psychological basis of musical development in children and adults. The study has two major objectives: to review the research findings, theories and methodologies relevant to the developmental study of music; and to offer a framework within which these can be organised so as to pave the way for future research. It describes the relationship between thinking and music, and discusses the relationship between thinking and music in pre-schoolers and schoolchildren in areas such as singing, aesthetic appreciation, rhythmic and melodic development, and the acquisition of harmony and tonality. The book describes the development of musical taste, and discusses the questions of musical creativity, and of the social psychology of musical taste and fashion. As a comprehensive study of the links between developmental psychology and music education, Hargreaves' work demonstrates the practical and theoretical importance of psychological research on the process underlying children's musical perception, cognition and performance.

Psychology of Music

Psychology of Music
Author : Susan Hallam
Publisher : Routledge
Release Date : 2018-09-14
Category : Psychology
Total pages :124
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This book covers key concepts relating to the psychology of music including the evolutionary purpose of music, the processing of music, musical ability, and musical skills. It also examines the impact music has on everyday life and on health and well-being, and the benefits of music to intellectual functioning. It covers the way in which music enriches humanity, how it relates to religion and spirituality, and how it used to enhance and manipulate people. This is the ideal introductory resource for students on a range of courses who are exploring music in relation to psychology, as well as general readers interested in this topic

Music, Thought, and Feeling

Music, Thought, and Feeling
Author : William Forde Thompson
Publisher : Oxford University Press, USA
Release Date : 2014
Category : Music
Total pages :386
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Examining the intersection of music, psychology, and neuroscience, Music, Thought, and Feeling, Second Edition, surveys the rapidly growing field of music cognition and explores its most interesting questions. Assuming minimal background in music or psychology, the book begins with an overview of the major theories on how and when music became a widespread aspect of human behavior.New to this Edition:Enhanced coverage of music therapyThe most recent theory and researchImproved pedagogy, including enhanced definitions of key terms and a reworked organization of topicsAn accompanying open-access website featuring audio samples created specifically for this text

The Science and Psychology of Music Performance

The Science and Psychology of Music Performance
Author : Richard Parncutt,Gary McPherson
Publisher : Oxford University Press
Release Date : 2002-04-18
Category : Music
Total pages :400
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What type of practice makes a musician perfect? What sort of child is most likely to succeed on a musical instrument? What practice strategies yield the fastest improvement in skills such as sight-reading, memorization, and intonation? Scientific and psychological research can offer answers to these and other questions that musicians face every day. In The Science and Psychology of Music Performance, Richard Parncutt and Gary McPherson assemble relevant current research findings and make them accessible to musicians and music educators. This book describes new approaches to teaching music, learning music, and making music at all educational and skill levels. Each chapter represents the collaboration between a music researcher (usually a music psychologist) and a performer or music educator. This combination of expertise results in excellent practical advice. Readers will learn, for example, that they are in the majority (57%) if they experience rapid heartbeat before performances; the chapter devoted to performance anxiety will help them decide whether beta-blocker medication, hypnotherapy, or the Alexander Technique of relaxation might alleviate their stage fright. Another chapter outlines a step-by-step method for introducing children to musical notation, firmly based on research in cognitive development. Altogether, the 21 chapters cover the personal, environmental, and acoustical influences that shape the learning and performance of music.

The Psychology of Music

The Psychology of Music
Author : Diana Deutsch
Publisher : Academic Press
Release Date : 2012-10-29
Category : Psychology
Total pages :786
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The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music. Encompasses the way the brain perceives, remembers, creates, and performs music Contributions from the top international researchers in perception and cognition of music Designed for use as a textbook for advanced courses in psychology of music

Psychology of Music

Psychology of Music
Author : Siu-Lan Tan,Peter Pfordresher,Rom Harré
Publisher : Psychology Press
Release Date : 2010-03-31
Category : Psychology
Total pages :368
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Why are some disturbances of air molecules heard as 'noise' while others are perceived as music? What happens at the level of the sound wave, the ear, and the brain when we perform or listen to music? How do musical abilities emerge and develop, and become refined as one acquires musical expertise? And what gives music its deep emotional significance and its power to influence social behavior, across vastly different cultural contexts? These are some of the primary questions defining the field called 'the psychology of music' and driving the present volume. This book provides an introduction to classic and current studies in the psychology of music, combining a comprehensive summary with critical assessments of existing research. The volume captures the interdisciplinary breadth of the field, while covering central topics in depth. Part One explores sound and music at an acoustic level, explaining auditory events with respect to the workings of the ear and brain. Part Two focuses on perception and cognition of melody, rhythm, and formal structure. Part Three examines the emergence and development of musical skills, and turns to the most practical aspects of psychology of music: music practice and performance. Finally, Part Four broadens the discussion to the question of meaning in music, with respect to its social, emotional, philosophical, and cultural significance. Throughout, both behavioral and neuroscientific perspectives are developed. This book will be invaluable to undergraduate and postgraduate students in the fields of psychology and music, and will appeal to anyone else who is interested in the psychology of music.

Psychology for Musicians

Psychology for Musicians
Author : Andreas C. Lehmann,John A. Sloboda,Robert H. Woody
Publisher : Oxford University Press
Release Date : 2007-02-08
Category : Music
Total pages :288
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What is it that accounts for the differences between musical beginners, advanced music makers, and world class performers? Virtually everyone likes music and has the capacity to be musical in some way (despite what some may say about themselves). Yet far fewer people come to be so involved with it that they identify themselves as musicians, and fewer still become musicians of international class. Psychology for Musicians provides the basis for answering this question. Examining the processes that underlie the acquisition of musical skills, Lehmann, Sloboda, and Woody provide a concise, accessible, and up-to-date introduction to psychological research for musicians.

The Psychology of Musical Development

The Psychology of Musical Development
Author : David Hargreaves,Alexandra Lamont
Publisher : Cambridge University Press
Release Date : 2017-08-31
Category : Music
Total pages :366
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The Psychology of Musical Development provides an up-to-date and comprehensive account of the latest theory, empirical research and applications in the study of musical development, an important and emerging field of music psychology. After considering how people now engage with music in the digital world, and reviewing current advances in developmental and music psychology, Hargreaves and Lamont compare ten major theoretical approaches in this field - including cognitive stage models and neuroscientific, ecological and social cognitive approaches - and assess how successfully each of these deals with five critical theoretical issues. Individual chapters deal next with cognition, perception and learning; social development; environmental influences on ability, achievement and motivation; identity, personality and lifestyle; affect and emotion; and well-being and health. With an emphasis on practical applications throughout, this book will be essential reading for students and scholars of music psychology, developmental psychology, music education and music therapy.

The Psychology of Music Teaching

The Psychology of Music Teaching
Author : Edwin Gordon
Publisher : Prentice Hall
Release Date : 1971
Category : Educational psychology
Total pages :138
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The author seeks to provide insights into how students learn music and focuses on musical aptitude and musical achievement.

The Psychology of Music

The Psychology of Music
Author : John Booth Davies
Publisher : Stanford University Press
Release Date : 1978
Category : Music
Total pages :240
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This book covers various topics concerning the psychology of music. The approach taken differs from some previous treatment in being primarily a psychologist's view of music, rather than a musician's view of psychology; though it is the hope that such a treatment is not unsympathetic to the musician's view. Indeed, the aim is to give a realistic musical account, in which the real-life musician features from time to time.